On Wednesday, this concert with Anna Netrebko and Dmitri Hvorostovsky happened in Moscow and because most of us tragically couldn’t make it to Moscow that evening, some kind person has put it on YouTube and I would recommend you watch it.
Here’s another Opera Cage Match (following on from last week’s post) because I love them. I can rarely pick which singer is the best at a certain aria but these help me compare and think about what it is that I like or dislike about certain singers. Having said that, in this case I think there is a clear winner (although there is also someone missing who I think should be on here). Who do you think is best? A lonely, forlorn comment box waits to be typed in.
(Also see Part 2, with modern day tenors)
WARNING: Contains swearing/slightly inappropriate jokes but is still very true and funny! 😀
So, earlier this morning I went down to my (amazing, wonderful, brilliant) well-stocked local record shop with £20. I am now back at home with £5.02 and two new CDs. The rest of my morning has been spent in the delightful anticipation of listening to these CDs, but first I will just tell you what they are.
Very excited to have this recording, because Franco Corelli is one of my all-time FAV 🙂 URITE tenors. Apart from the arias listed on the cover, it also has arias from Ernani, I Lombardi, La Forza del Destino, Andrea Chenier, Cavalleria Rusticana, Adriana Lecouvreur and Madama Butterfly. Obviously the sound quality won’t be perfect because the recordings were made in the ’50s but who cares, it’s still Corelli.
Now, I know that a lot of people don’t like La G (aka Draculette) because of her cancellations and her temperament and the various stories about her diva-ishness. I don’t know how many of these are true but all rumours have at least 1% truth and the cancellations are certainly no lie. But whatever people may think, you can’t deny that this woman has THE VOICE. She can SING. Which, when you think about it, is quite a good quality for a singer to have (*cough cough* pop music industry). So, leaving aside the arguments about her attendance record, this CD has arias from Butterfly, Tosca, Boheme, La Fanciulla del West, Manon Lescaut, Edgar (that’s the one that is never performed), her trademark Rondine, Suor Angelica, Gianni Schicchi, Le Villi (also rarely performed) and Turandot. Quite predictable stuff, but hopefully the singing will live up to the name.