Met HD Broadcast – Un Ballo in Maschera

On Sunday, I went to see my first ever Met HD broadcast- an repeat of Un ballo in maschera. The cinema was, disappointingly, very empty and I was the youngest person there by about 40 years, which I thought was quite sad. This might have been partly because the cinema doesn’t advertise their Met broadcasts very much and I had some difficulty finding out if the Met performances were being shown in my town at all!

The singing was all very good, although the singer who stood out a tiny bit for me was Sondra Radvanovsky. She managed to get the emotions across that little bit more simply and strongly than the others. However, everyone performed wonderfully and, I should add, my judging may not be completely fair, as I have never listened to this opera before and so am not sure this particular performance compared with others.

The staging, however, I did have some more clear thoughts on. In this production, it had been returned from the setting fo Boston to that of Sweden, where it fits in much better. There were some parts of this production I liked, and some that I didn’t. The idea of the painting of the Fall of Icarus worked well enough and it was clear what it symbolized: the king who believed he could not be assassinated. I didn’t, however, see this theme being used in any other way except from the painting and also in the pageboy Oscar, played by Kathleen Kim, who wore white wings in some parts of the opera. I couldn’t understand what relevance this had or how it was meant to tie in to anything else. In terms of acting, Dmitri Hvorostovsky was particularly excellent as the troubled Renato.

My main irritation though, was the camera direction. There were several moments when it focused on the principals standing around and doing nothing, when the chorus appeared to be doing something worth seeing. They didn’t seem to realise that we might want to see anything other than close ups of the lead singers’ faces, whether they were singing or not.

Overall, a good performance by all, although the production didn’t quite seem to know its purpose. The intervals were interesting, especially watching  Joyce Didonato rehearsing for what promises to be a wonderful performance of Donizetti’s Maria Stuarda.

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2012/13 Season at the Met

Plenty of highlights to look forward to in the Met’s new season. My picks are:

  • L’Elisir D’Amore – In a relatively Netrebko-free season, this is her main appearance, alongside a cast including Matthew Polenzani, Mariusz Kwiecien and her husband Erwin Schrott. Good line up for what will hopefully be an entertaining show.
  • Un Ballo in Maschera – Part of the Verdi/Wagner bicentenary celebrations, this stars Marcelo Alvarez, Sondra Radvanovsky and one of my personal favourites, Dmitri Hvorostovsky. Radvanovsky and Hvorostovsky are known to sing well together and I look forward to discovering a Verdi opera I know very little about.
  • Roberto Alagna returns to Aida as Radames. Let’s see if he can keep his blood sugar levels low this time.
  • Dialogues des Carmelites, famous for its haunting end, does not often come round so this is something to look forward to.
  • Ildar Abdrazakov as Don Giovanni, accompanied by Mr. Netrebko as Leporello.
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  • An interesting Traviata, with Damrau as Violetta and Placido Domingo sings Papa Germont for the first time.
  • What the Met claims is “a rare opportunity to witness Berlioz’s vast epic Les Troyens”, completely ignoring the very recent performance at Covent Garden
  • JDF returns in Le Comte Ory and Elina Garanca in La Clemenza di Tito
  • And of course the return of the vast Ring Cycle which has completely divided opinions. Personally, I love it, which is saying something given that I am not normally very patient at all with Wagner.
  • Also, a Don Carlo with Ramon Vargas although personally I would be more interested in Covent Garden’s upcoming production, starring Jonas Kaufmann.

Most of these performances will be broadcast in cinemas. For the full brochure, go here.